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Primul si al doilea volum de critica al lui Perpessicius [... ] Repertoriu critic (1925) si Mentiuni critice (I, 1928), se interfereaza cu doua volume de versuri: Scut si targa (1926) si Itinerar sentimental (1932), lasand impresia unei ezitari intre critica si poezie, a unei inclinari mai mult catre poezie, decat catre critica. Din spita lui Verhaeren trecut prin Rimbaud, in Scut si targa, el un poet simbolist clasicizant, livresc, in linia lui Henry de Regnier, parafrazand voit superficial pe Horatiu intr-o Oda catre Postumus ("Vai! Postume, Postume, cum mai trec anii! / Ce sarbezi si iute mai trec, si, sarmanii / De noi cat trudim si ne zbatem in viata"). Mai departe, Perpessicius se dedica "cu o bunavointa universala", cum zice Lovinescu, criticii foiletonistice, excursiilor literare, dupa modelul lui Remy de Gourmont din Promenades literaires, recenzand cu voluptate sau cu sarcasm tot ce-i cade in mana, indeosebi poeti consacrati sau debutanti, in simpatice forfote stilistice, in care judecata de valoare cade pe al doilea plan. Rodul acestor itinerarii critice nu sunt numai cele cinci volume de Mentiuni critice tiparite pana in 1946 (II, seria 1934; III, seria 1936; IV, seria 1938; V, seria 1946), ci si postumele VI, seria 1934-1936; VII, seria 1938-1940; VIII, seria 1940-1942; IX, seria 1942-1944 si X-XII, seria 1944-1947, continuata cu Mentiuni de istoriografie literara si folclor (1948-1957; II, 1957-1960; III, 1958- 1962; IV, 1963-1967), Memorial de ziaristica (I,1970), Lecturi intermitente (1971) si Eminesciana (1971) la care trebuie sa adaugam Dictando divers (1940) si un Jurnal de lector(1944). Prozator delectabil in critica, Perpessicius a lasat in faza de proiect romanele insistent anuntate Amor academic si Fatma sau focul de paie (din care au aparut fragmente), ducand la capat din editia operei eminesciene care i se incredintase numai poezii (I, Poezii antume, 1939; II-III, Note si variante, 1943- 1944; IV, Poezii postume, 1952; V, Note si variante, 1958; VI, Literatura populara, 1963) si o editie revazuta prezentata in trei volume (Opere alese, 1964-1965), reeditata cu imbunatatiri postum, in 1973. Alexandru PIRU
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Las Meninas Information - evl :: electronic visualization ... Virtual reality journey into the enigmatic world of the great Spanish painter through his painting, Las Meninas. Las Meninas: Theater and Dance Events on washingtonpost.com Las Meninas on washingtonpost.com's Going Out Guide; you source for performing arts and live plays in , Las Meninas (2008) - Rotten Tomatoes: Movies TV Shows ... With a visual axis influenced heavily by the aesthetic of 17th century still life painters, Ukrainian performance artist Ihor Podolchak's Las Meninas observes the ... The runners up to 'Las Meninas' - The Washington Post The runners up to 'Las Meninas' Washington Post critic Blake Gopnik lists nine great works that don't quite measure up to Diego Velazquez's masterpiece. Mark Harden's Artchive: Art Theory and Criticism LAS MENINAS: The World's Best Painting: Velazquez: Sister Wendy Beckett: analysis of "Juan de Pareja" Vermeer: Kenneth Clark: discussion of "The Art of Painting" Vermeer: Las Meninas - Wikipedia, the free encyclopedia Las Meninas (Spanish for The Maids of Honour) is a 1656 painting by Diego Velzquez, the leading artist of the Spanish Golden Age, in the Museo del Prado in Madrid. Teen Mothers (Meninas) (2005) - Rotten Tomatoes: Movies ... Review: The latest critic and user reviews, photos and cast info for Teen Mothers (Meninas) The Final Word: Foucault about Las Meninas Michael Foucault was a French philosopher, historian, intellectual and a critic. He is best known for his critical studies of social institutions, most ...